By removing the very deep bass and using the resonance control to emphasise the bass just above the frequency at which the filter starts to cut the low end you might find the low end you were missing. The filter in bx_subfilter is a sixth order filter, which is steep, with three switchable levels of emphasis available.
This is also a very common technique used to create space between the kick and the bass. Every time the kick drum hits, it triggers compression on the bass track, “ducking” it into the mix and leaving room for the kick. READ ALSO: What Is Metadata READ ALSO: SSL Native X-EQ 2 Review READ ALSO: Best Computer for Music Production
A ratio between 4:1 and 6:1 is an excellent place to start. A Higher ratio allows you to get more compression without setting your threshold low. However, the exact ratio depends on the type of bass instrument, the genre, and the desired sound. Experiment with different ratios to find the sweet spot for your mix.
Step 1: In Logic we have a basic drum groove accompanied by a big, squelchy Acid Bass riff. By loading Channel EQ as an insert on our bass channel, we can see the bass has a lot going on in both the mid frequencies and the sub range, which could make it tough to process and mix. Let’s split the sound into lower and higher parts.
Here's my 'How to Mix Drum and Bass' tutorial for you guys.LEARN HOW TO DJ HERE:
Mute the bass while you tweak the low mid-range balance of other instruments. To conserve mix headroom, try briefly ducking the bass 2-3dB in response to each kick hit. Boost at 1kHz for better mid-range cut-through, but add a low-pass filter if HF noises become obtrusive.
Using panning creates a wide sounding drum set that can be heard from all sides. The best way to pan drums is to pan the separate parts of the drum set how they appear before you as if you are playing the drums. This is called “Drummers Perspective”. When panning the kick drum and snare drum panned dead center.
DRUM BUS. – You can fine tune your low frequencies by applying a high pass filter and also pushing some low end around 50 – 100Hz. This provides a resonant boost without blowing up your subs. – Boxiness lives between 300 – 400Hz, so cut that gently, if needed. – 500Hz will add some body to the entire kit.
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Tip #12: Add A Gate For Clarity. When you’re aggressively EQing a kick that was recorded as part of a live drum kit, you have to be careful. Often times, there’s lots of bleed in the kick drum track from the other drums. If you solo the kick, you can usually hear the snare, toms, and cymbals.
The sub-bass is usually cut in mono since it's designed to shine on club speakers, which model this sonic experience. EDM music bass tracks run so deep that you'll sometimes feel the lower sounds on the frequency spectrum within your chest. Punchy drums. While EDM songs may use a drum loop or two, the percussion parts are anything but weak.
7. Change the Snare. If you’re still lost by this point then it’s probably just the snare choice itself. Use it as a learning experience and try not to repeat the same mistake. Your decision making and taste will develop with time so don’t be disheartened. Release the music and move on to bigger and better things!
General EQ Tips. Here are a few general tips to keep in mind before you reach for the EQ. 1. Cut before boosting. There are two great reasons to cut unwanted frequencies rather than to boost the range you want to keep. First, each EQ band is, essentially, a small gain stage.
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Even once you’ve shaped and EQed your kick drum track, you may still not be happy with how it’s sitting in the mix. This is the point where compression comes in. The dynamic range of your kick drum will have a MAJOR impact on your mix. Very similar to bass, you want the low-end on your kick drum to have as much consistency as possible.
Steinberg Tutorials. You need help with your product or are simply looking for new inspirations. You’re new to the world of music production and could use some more information to jumpstart your creative journey. Then you’ve come to the right spot!
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drum and bass mixing tips
